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Grateful Dead Live at Kongressaal - Deutsches Museum on 1972-05-18

This show has been commercially released as " Europe '72: The Complete Recordings - All The Music Edition"

Set 1

Mr. Charlie
Jack Straw
Tennessee Jed
Chinatown Shuffle
Black Throated Wind
China Cat Sunflower ->
I Know You Rider
El Paso
It Hurts Me Too
You Win Again
Playing In The Band
Good Lovin'
Casey Jones

Set 2

Sittin' On Top Of The World
Me And My Uncle
Ramble On Rose
Beat It On Down The Line
Dark Star ->
Morning Dew
Drums ->

Sugar Magnolia

Sing Me Back Home
One More Saturday Night

Collection GratefulDead
Band/Artist Grateful Dead
Venue Kongressaal - Deutsches Museum
Location Munich, West Germany

Source SBD -> Master Reel -> Cassette -> Dat (48k) D
Lineage Dat (Sony R500) -> Samplitude Professional v7.02 -> FLAC
Transferred by Charlie Miller


-- Can not confirm lineage
-- All disc changes are seamless


Reviewer: doug_the_dude - - May 18, 2013
Subject: --
Another masterpiece from the tour. Deconstruction here is pointless. The official release is sparkling clear.
Reviewer: Pangolin22 - - August 11, 2011
Subject: More Europe 72 magic
One great show after another on this tour and this one is no exception. Great Kick-off with a lively Truckin' and a beautiful Sugaree. Pigpen really shines on this show as well - I just love this Good Lovin'. The Morning Dew is sublime and the Sing Me Back Home encore is just gorgeous.
As expected from a Charlie Miller recording, the sound is stunning.
Reviewer: rschwz28 - - June 17, 2011
Subject: might be my new favorite Dead show
Notice the few bars of "White Rabbit" afer Chinatown Shuffle?

Not crazy about Donna's contribution to PITB.

Again: shouldn't Dark Star and Morning Dew be one track?
Reviewer: questionoflife - - May 9, 2011
Subject: My new favorite Dead show
This show has a bit of everything that I love about the Dead - the tempos are generally slow, but the intensity is high, and the band is unusually tight, even on the jams. I was drawn to the show for the Dark Star->Morning Dew, and it did not disappoint. I am glad that I didn't skip over the other tunes on my way to this gem, because virtually every song kicks ass, even a few that are not usually among my favorites.

Of particular note, this is far and away the best Casey Jones I've ever heard. I didn't expect this to be the standout here, as early 70s performances of the song usually sound to me like an obligatory performance of a hit song. But here, the band just blazes with an almost frightening intensity.

On another recording of this show, a reviewer mentioned that 1972 was a good time to be in Europe. I couldn't agree more. Consider that Pink Floyd was also touring Europe at the time to debut the songs on "Dark Side of the Moon" - in fact, they were in West Berlin the same night as this show. Must have been something in the air that night in Germany...
Reviewer: lickmyballs - - May 3, 2011
Subject: Good Lovin' jam
Jerry and the boys wanna get spaced out and jazzy and Pig is trying to bring it back down to his rap. I think they reach a happy medium and everyone ultimately wins. 5 stars up in your guts for sound and performance.
Reviewer: Islam_sucks - - September 4, 2010

Hey kids, it's another PIGPEN & KEITH Show!

Definitely another "Must Have" show.

Well rehearsed, solid performance, excellent recording, excellent mix, should-a-been released back in 72'.

The boys are still young, fresh, energetic, and the music reflects it.

100% Mickey Free...

Reviewer: Cliff Hucker - - May 19, 2010
Subject: Amazing Morning Dew!
Another very strong performance, if somewhat less spectacular (with the exception of Morning Dew). Recent upgrades in sound quality have made this show more enjoyable. It's consistently well played. Stand outs include what might be the best ever performance of It Hurts Me Too and of course the superb performance of Dark Star> Morning Dew, the first time that this combination was played together.

The 26 minute Dark Star is superb. It's not as beautiful as the performance of the song at Wembley, or as jazzy as the Rotterdam version. Nor is it as cohesive as the rendition in Copenhagen. Still, it is an excellent and up beat performance of the song that carries its momentum entirely through its duration. The intro theme jam is gorgeous. Following a brief bass solo, there is a lovely duet between Garcia and Weir starting at 7:00 that turns nice and jazzy before soaring back into the pre-verse theme. A second bass solo follows the verse and things get atonal for a while, building in intensity before the first ever segue from Dark Star into Morning Dew.

This performance of Morning Dew is unique and extraordinarily beautiful. Although the rendition on 5/23 seems to garner more accolades, this one is just a bit better in my opinion. Jerry's voice is strong and his interpretation here is highly emotive. He really slows it down and turns reflective prior to the refrain. One of the elements that sets the music of the European tour apart is the dynamics of having two keyboard payers. Nowhere is this more apparent than during this gorgeous performance of Morning Dew. Pigpens swirling organ fills really seem to complement Keith's piano work on the beautiful quiet parts. It's one of the high points of the tour. An interestingly placed drum break follows Morning Dew before the band launches into a great Sugar Magnolia. (96 pts)
Reviewer: BIG_R - - April 27, 2010
Subject: 5-18-72
Excellent both in performance and sound quality. You can hear a little so called tape hiss in the quieter moments if that bothers you.
Reviewer: high time... - - January 9, 2009
Subject: 72 Skidoo
This one is a jinglin' janglin' show for sure. Pure. Thank You Mr. Miller for everything you do. Great sound quality and quantity. CLASSIC DEAD.
Reviewer: SomeDarkHollow - - August 15, 2008
Subject: No, really, you shouldn't have
Damn. And the hits just keep on coming. As usual, Mr. Miller has done it again. The quality of this mix is only outdone by the quality of the show itself. Many, many standouts here with my favorite perhaps being the Good Lovin'. The groove is more jazzy then anything else and Jerry's lead is just stupendous. Pig's rap is more subdued than many, but it fits perfectly into the vibe of the night. Instead of trying to steal the spotlight, he succeeds in melding with the rest of the group and helps create a great piece of music. Great show, great recording, better mixing. Thanks again, Mr. Miller, you spoil us.
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Grateful Dead
by Grateful Dead
Source: FOB, Nakamichi CM-300's with CP-4 shotgun capsules > Sony TC-D5M > Maxell UD-XLII tape, with no Dolby
Grateful Dead
by Grateful Dead
Source: Master Audience Recorded By Fitzy, Transfer By Keo; 2 Nakamichi CM300/CP4 Shotguns + 2 Sennheiser 441's > Unknown Radio Shack Mixer > Sony D5, Tapes:Maxell MX-S 90, MX 100; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.0.2 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
Grateful Dead
by Grateful Dead
Source: 2 Sennheiser 421s + Sennheiser 441> Nakamichi 550 > MAC
Grateful Dead
by Grateful Dead
Source: Master Audience Recorded By Seremetcc, Transfer By Keo; Nakamichi CM100/CP4 Shotguns > Marantz PMD-430, Tapes:Denon HD8 100's; Recorded By The Soundboard; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked With AudioGate V.3.02 To 24/96 kHz; Metadata Tagging With Tag&Rename
Grateful Dead
by Grateful Dead
Source: Nakamichi CM 100 mics w/ shotgun capsules > Sony D5 cassette deck > MAC
Grateful Dead
by Grateful Dead
Source: Source: Schoeps CMC4/MK4 > Oade Cap Coupled Supply > Panasonic SV250 (48 khz); Config/Location: ORTF/FOB section B1;
Grateful Dead
by Grateful Dead
Source: DTS-Audio-CD 5.1 Mix; SBD (shnid=96167) SBD -> Cassette Master (Nakamichi 550/Maxell XLII-S90); Transfer Info; Cassette Master (Nakamichi DR-1) -> Sound Devices 744T (24bit/96k) -> Adobe Audition v1.5 -> Samplitude Professional v10.1 -> r8brain PRO v1.5 -> FLAC/16; and AUD (shn id 89483) Sennheiser MD-441's > patched thru 2 tapedecks > Marantz PMD-340 > Sony UCX-S 90's, Dolby on. Mics on 8-foot stand, just behind the Sbd.
Grateful Dead
by Grateful Dead
Source: Master Audience Recorded By Mr. Darby; SennheiserMD421's (PAS/DFC/front Row Of Balcony/6 Feet High)> Sony TC-D5M, Tapes Maxell XLII-S Set 1, Maxell MX Set 2; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename By Keo
Grateful Dead
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Source: Sennheiser ME-80's>Technics SV-MD1 (DAT)
Grateful Dead
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( 1 reviews )
Source: Sennheiser 441s > D5 > D5 > gold plated Monster Cables > D5 > Maxell XLII-S 90 (set I) TDK MA-R90 (set II)